An Operatic Life

Professional opera singer Alaina Brown has been performing since she was a kid. Now, she is coaching the next generation of singers and working full time at Detroit Opera.
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Alaina Brown with George Shirley earlier this year. // Photograph courtesy of Detroit Opera

Alaina Brown was 4 years old when she was cast in her first opera, a 1978 production of Madama Butterfly by the at Dow Gardens in Midland.

She remembers only a few details about the performance; however, she does recall that cast members kept picking her up and sitting her back down, not unlike a doll or a bouquet of flowers. 鈥淚 think I mentioned it to my mom,鈥 Brown laughs.

鈥淛ust be still,鈥 her mom told her.

鈥淎nd I remember the singing,鈥 Brown says. 鈥淓veryone was singing right at me, and I just loved it.鈥

That day was memorable for another reason. The production starred George Shirley, a trailblazing figure in the opera world: Shirley was the first African American tenor to perform at New York鈥檚 Metropolitan Opera in a leading role.
Last February, Brown, a soprano, was one of three vocalists to sing at the Detroit Public Library in 鈥淎n Evening of Black Opera,鈥 an event devoted to honoring the careers of 鈥淏lack operatic pioneers.鈥 Brown sang selections by Leontyne Price, a soprano who earned more than a dozen Grammys and, in 1964, the Presidential Medal of Freedom.

Over Zoom, Brown, who serves as program coordinator of education and community programs with , says she thinks opportunities for Black opera singers have improved in the last few decades but are by no means perfect.

鈥淚n a lot of ways, being an African American performer, you have to be better than the best,鈥 she says. 鈥淵ou have to be 150% more prepared than your counterparts.鈥

Brown calls opera 鈥渁 way to tell a story and to share an experience.鈥

Her interest in opera began early. When she was a child, her mother took piano lessons; while her mother played, Brown sang along. One day, her mother鈥檚 piano teacher overheard her singing and encouraged Brown鈥檚 parents to support her talent, which ultimately led to her role in Madama Butterfly.

Madama Butterfly 1978 Michigan Opera Theatre cast from left: Kyu Do Park as Cio-Cio San, Alaina Brown as Trouble, Andreas Poulimenos as Sharpless, // Photograph courtesy of Detroit Opera

Brown鈥檚 parents played a lot of music in the house 鈥 classical and opera but also jazz, Motown, and gospel. She gravitated naturally toward classical music: The melodies captivated her, and as she grew older, the glamour and intrigue associated with opera grew more and more appealing, and she would imagine herself onstage.

Brown and her family lived in Midland, eventually moving to metro Detroit. Brown spent her summers at Interlochen Arts Camp, studying voice. She longed to attend the school full time, but the family couldn鈥檛 afford it 鈥 鈥淭hat鈥檚 college tuition,鈥 Brown鈥檚 mother told her 鈥 so Brown applied and got a full scholarship, graduating from Interlochen Arts Academy.

From there, Brown went on to college at the University of Rochester鈥檚 Eastman School of Music but decided to forgo a master鈥檚 degree.

鈥淚 wanted to jump right in to see if I could start performing,鈥 she says.

She joined the Michigan Opera Theatre (now Detroit Opera) and was frequently hired for smaller roles on the main stage. For nearly 10 years, Brown spent her summers touring Europe in a production of Porgy and Bess, performing as both Clara and Strawberry Woman.

Now, in addition to getting her opera fix with her full-time job at Detroit Opera, she has found a new passion as a vocal teacher specializing in high school-age students.

Not all students are going to be the best singers ever, but it鈥檚 the confidence that you build in them [that makes the work rewarding],鈥 Brown says.

Earlier in her career, Brown says, 鈥淚 wanted to be an international singing sensation. I was going to go to Europe and have this huge, luxurious career, which meant I was always booked and busy and had my fur coat. But when reality sets in, there are other things I realized I could do.

鈥淚 will never stop singing,鈥 she adds.

At the Detroit Public Library in February, Shirley came out to hear Alaina Brown and others pay tribute to Black pioneers in opera, him included. As the other performers sang, Brown could see Shirley鈥檚 face. 鈥淗e was just smiling,鈥 she says. 鈥淗e just looked like a proud papa.鈥


This story originally appeared in the July 2024 issue of 香港六合彩图库资料 magazine. To read more, pick up a copy of 香港六合彩图库资料 at a local retail outlet. Our digital edition will be available on July 8.